The largest piece of the pendant is 4.5 cm long and 1.5 cm wide while the thickness varies between 0.36 and 0.39 cm. The pendant is characterised by an oval shape with rounded margins, two drilled holes and decoration consisting of patterns of sequential punctures.
In order to minimise the amount of material exposed to destructive analysis, the most recent methodological advancements in 14C were followed 15, 16. S3 and S4), the accurate cultural attribution of the pendant and the awl required direct radiocarbon dating.
Since most of the lithics collected in layer D1 are associated with the Central and Eastern European Micoquian and very few are classified as Upper Paleolithic (Supplementary Figs. A recent reassessment of the archaeological record of Stajnia Cave reveals that post-depositional frost disturbances and modern distortions displaced artefacts and human remains between layers 14. In addition, an awl fragment (S-12160) was identified among the bone fragments from layer D1 (Fig. In 2010, two fragments of an ornate ivory pendant (S-22222 + S-23100) were discovered in layer D1 (Figs.
#Smooth magazine top 100 models series#
During the excavations, a series of Neanderthal remains were found 13, 14 within a large collection of bones of Late Pleistocene steppe-tundra species, and Middle and Upper Paleolithic artefacts 14 (see Supplementary Sects. The site was investigated between 20 exposing a stratigraphic sequence of seven units (from G at the bottom (MIS 5c), to A (MIS 1) at the top) (Supplementary Sect.
The Stajnia Cave is a natural shelter located on the northern side of the Kraków-Częstochowa Upland in southern Poland (50° 36′58″ N, 19☂9′04″ E) (Fig. This finding plays a unique role in demonstrating the importance of the direct date of an object of Paleolithic art to understand the origin of communication, celebration, and expression of Homo sapiens in Europe. In this context, we report here the discovery and the direct date of a new ivory punctate ornament found at Stajnia Cave, in Poland. This situation makes the reconstruction of the emergence of human body augmentation and the discussion concerning the epicenter of the diffusion of mobiliary art in Europe ( Kulturpumpe model) 10 hotly debated and far from being resolved 10, 11, 12. Recent chronometric programs on sites in Swabian Jura 10 yielded contradictory results corroborating the inaccurate provenience of the samples collected during previous fieldwork. Hence, their chronological attribution is based only on the stratigraphic context rather than direct dating. Thus far, most of these iconic adornments were recovered during older excavations, with less recognition of site formation histories and post-depositional disturbance. Within these novel accessories, a new type of decoration-the alignment of punctuations-emerged on some ornaments in south-western France 8, and figurines in Swabian Jura (Germany) 9. A successive technical advancement is recorded in the Early Aurignacian (~ 40 ka BP) when mammoth ivory started to be manipulated for the production of pendants and mobiliary arts 5, 6, 7. In Europe, the oldest evidence of body adornment is documented at ~ 46 ka BP in the Initial Upper Paleolithic layers of Bacho Kiro where several carnivore teeth were worked into pendants 3, 4. Timing when and where personal ornaments appeared in the archaeological record are important for reconstructing the trajectories of abstract thinking of archaic humans and understanding how figurative representations varied through time 1, 2.
The emergence of decoration and adornment of the human body is considered one of the earliest manifestations of symbolic behavior, marking the beginning of ethnolinguistic identity and social complexity in human evolution 1, 2. Scientific Reports volume 11, Article number: 22078 ( 2021) A 41,500 year-old decorated ivory pendant from Stajnia Cave (Poland)
0 kommentar(er)
